Hi back into my routine, and back to writing a blog post on a Thursday afternoon. I can hear the rain pattering on my corrugated roof in my studio, the sky is grey and the sunshine of last week has gone. This week , here in the Uk, we have been coming to terms with the news that we shall be living under restrictions for a while yet, the weather here in Devon appears to be mirroring our dampening mood. Things seem pretty bleak, but I am determined not to get too down about it all. I am fortunate to be able to paint, and get out into the countryside, I do hope you can all do that too.
I hope these blogs can provide some light relief ,and some gentle instructions for those who feel inclined to have a go. I hope none of you feel you have to stick rigidly to what I say , I have discovered what I have through trial and lots of error. I have also changed the way I work when I have been told or shown something new, so don't be afraid of new ideas. Glean what you can from me, and anyone else whose style you like and whose tips are valuable.
I use winsor and newton paints and bockingford watercolour paper, but I know many other painters who swear by Daniel Smith and Archers , use what suits you. Experiment, be adventurous, and if it works for you then that is all it needs to do.
So moving on from last weeks blog about a very loose foxglove painting, I thought I would revisit a poppy, no reason really except I wanted something bright and cheerful, I love popping that bright red onto the paper, I wanted to keep it loose, and show you how I did it.
I took a photo
and printed it off.
Then I did a quick sketch
Now I get a fairly big brush and wet the poppy and the surrounding paper
I do have a plan at this stage, I want to keep the area I am pointing to in the photo as bright as I can, this means using the white of the paper and my lightest colours.
So as I said I wet the paper
Really wet it all over
Now I go in with my lightest colour. A lovely light bright Indian yellow, nice bold strokes.
With some spots and splatters thrown in.
You can see from this angle how wet it all is, I take this opportunity to paint the stem, bring the yellow down and add darker greens to the right hand side.
Now leave it to settle a bit.
It isn't completely dry but I can add some cadmium orange, I am now building up the colour in layers , But I want some of the yellow to show through in the finished piece.
Now I can add my scarlet, how lovely is that, I also let it bleed over the edges. No-one can feel down with such bright colours dripping off their brush
Sadly when it dries it isn't as bright, can you see the yellow shining through, and the white of the paper showing through too.
The more you can play with light and dark the more vibrant the painting will be I think.
So now I add more red on top of the dry paper.
Then a bee...( well why not?)
It has dried lighter again, and you can see the direction of my brush strokes in the flower.
I now add my darker tones, at the bottom of the flower, the darker purple tone and some indigo against the lightest light to really make it stand out. These are my artistic decisions, you might not like them or want them in your work, you do what feels right for you.
Then I leave it all overnight.
It give some space between me and the painting when I come back in the morning I can decide if I need to do anything else.
I decided to add some more red and some gold ink ( my choices again) , I feel it is done, it has brightened up my day and what do you know the sun has come while I have been writing too. Happy Days x